Issue #2
TOWER

How about another Babel’s Tower?
“According to Genesis, the Babylonians wanted to make a name for themselves by building a mighty city and a tower “with its top in the heavens.” God disrupted the work by so confusing the language of the workers that they could no longer understand one another. The city was never completed, and the people were dispersed over the face of the earth (Encyclopaedia Britannica, April 2020).”
Tower: a symbol, a metaphor, a working structure, an architecture, a masterpiece.
One of the most immediate associations with the idea of tower, is of an imposing human made structure that rises high in the sky, with the ambition of reaching it. Throughout history, such structures have been built with increasingly refined techniques, till reaching the name of skyscrapers. The fascination and complexity in finding ways to fight gravity and the power related to this sense of accomplishment have always been what underpinned a related symbolism of humankind growth, evolution and knowledge aspiration. However, the higher are the ambitious the greater is the risk to fall, and the bigger and more complex the system becomes the greater is the level of precariousness of the whole. There is a crucial need for understanding how agents concur within the structure, their responsibility for participation and collaboration, as well as an emphatic and responsive behaviour towards the codes that rule the system.
Babel’s Tower is one of the first and most symbolic narrative recording the attempt of materialising the highest level of human knowledge, as well as a precedent of the implications that such an ambitious aspiration brings with it. Besides the religious message of humility that passes from this example, it can be said that failure of the project was not related to any miscalculation or physical incapability to complete the aimed designed, but rather to the loss of a communal identity of being together in one system, and to a lack of communication, responsive and receptive forms of behaviour that could not longer be replicated. Indeed, the generation of multiple languages, becomes here a lost of perception of the individual role within the system: the lack of awareness of the single breaks the harmony of the whole and turns into a cacophony of uncoordinated voices.
For the second issue of the ad-lib magazine, the published works are embedding the notion of tower in a sense of a coordinated structure of elements that, by getting together, are able to (re)create working systems for growth, evolution and knowledge production. With the reference to ‘stigmergic collaboration’ as the reproduction of behaviours of the single components derived from simple rules, we intent to retrace into evolving and ever-growing entities through multiple components the reflection of these coded set of rules. Collaborative production in this sense can be seen as a metaphor of the concept of building strategy and generating diverse design solutions into knowledge or contents.
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As architecture, towers work as a fine composition of elements in perfect balance, working together for the overall purpose of standing against gravity and external agents. The structure composed from separate and singular part working for a common achievement, is meticulously calculated and defined by rules based on experience and empirical knowledge. The integrity in the action and reactions of the parts makes the whole a functioning system.
![[image by Valeria Fabiano]](https://static.wixstatic.com/media/2b8d37_761451a04bed4343906eb3f1685ce961~mv2.jpeg/v1/fill/w_360,h_470,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/WhatsApp%20Image%202020-04-20%20at%2003_16_11_jp.jpeg)
[Valeria]
Nevertheless, besides the physical realisation of what can be considered the general understanding of it, there are several aspects of the notion of tower that can be observed as enactment of collaborative system. More than anything else, in the natural environment we are able to observe strategic dynamics of collaboration between different agents or elements organising themselves in strong refined structures, achieving growth and stability. Just changing perspective from the human point of view, it is possible to observe the presence of similar structures in other forms and levels. For instance, how attaining a higher position becomes a matter of survival for certain species, bringing some biological ecosystems to develop around existing structures. Or on another end, how the observation of non-human systems can offer and generate solutions by acting upon or take advantage of such intelligence.
Lastly, with the technological advance, the immateriality of the systems is more remarked and structural dynamics have developed into cooperative models of working. The advance of digital resources, and in particular the power of internet in connecting us and empower the level of communication beyond the spoken language, showed the generative potential of those systems for information and knowledge. The notion of viral spreading of content in the digital format, such as memes as an example, exemplifies the power of indirect participation in reproducing cultural tendencies and therefore connecting with each other. Moreover, during this period of isolation due to the COVID-19 emergency, this notion became nevertheless the most efficient digital representation of a ‘stigmergic system’ of a global scale, almost what can be seen as the “skyscraper level” of the tower.
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Beyond all the implication we could retrace in history of the risks involved in pushing the limits of the achievable as humans, almost towards the hubris in pursuing that, can we learn how to apply this knowledge in balancing the togetherness of coexistence rather than for reaching the highest point? Will we ever be able to rebuild a Babel’s Tower that does not aim to know the Heaven but that could instead be standing as a symbol of collaboration and balance between humans and nature over this planet?
If it had been possible to build the Tower of Babel without climbing it, it would have been permitted.
[Franz Kafka]

Even though the graphic image has no alphabet, it constructed the legible word 'TOWER'.
Stigmergy, as well, even if the origin of each components are different and far, its integration may different or sometimes powerful.



[Yongwon]
"A meme is an idea, behavior, or style that spreads by means of imitation from person to person within a culture often with the aim of conveying a particular phenomenon, theme, or meaning represented by the meme. A meme acts as a unit for carrying cultural ideas, symbols, or practices, that can be transmitted from one mind to another through writing, speech, gestures, rituals, or other imitable phenomena with a mimicked theme."
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Meme
Artificial nature
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Changing perspective.
Enable connection.
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[AT&T]
The animals that live in trees have a favorable position that helps them when hunting and defending from predators. Man has used technology to shelter himself and control enemies by building infrastructures taller than others. Same principle for tele-comunication system net. The towers are built to keep the antennas higher than the surrounding structures to ensure good reception, so they must be taller than what's nearby.
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​In the 1980s, immediately after mobile phone companies began building antennas in the United States, they were also trying to hide them, often in response to aesthetic complaints from local residents.
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In the United States, the Telecommunications Act of 1996 limited the ability of municipalities to block the construction of towers, therefore, as the demand for mobile telephony services spread, it meant that towers would inevitably be built in historic neighborhoods and in other areas where locals might object.
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However, municipalities have often tried to block construction, leading companies to offer "trees" instead of towers as a compromise.



[Nadia]
"What tree is that? A pine tree."

Phanerology
What we hear when we sleep, are indeed the beat of our own heart, not the slivers of our unemployed soul.
[Vivian]